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Annie Get Your Gun (musical) : ウィキペディア英語版 | Annie Get Your Gun (musical)
''Annie Get Your Gun'' is a musical with lyrics and music by Irving Berlin and a book by Dorothy Fields and her brother Herbert Fields. The story is a fictionalized version of the life of Annie Oakley (1860–1926), a sharpshooter who starred in Buffalo Bill's Wild West, and her romance with sharpshooter Frank Butler.〔A number of Internet sources claim that the musical is based on Walter Havighurst's book ''Annie Oakley of the Wild West'', but the book was written in 1954, eight years after the musical was first produced.〕 The 1946 Broadway production was a hit, and the musical had long runs in both New York (1,147 performances) and London, spawning revivals, a 1950 film version and television versions. Songs that became hits include "There's No Business Like Show Business", "Doin' What Comes Natur'lly", "You Can't Get a Man with a Gun", "They Say It's Wonderful", and "Anything You Can Do." ==History and background== Dorothy Fields had the idea for a musical about Annie Oakley, to star her friend, Ethel Merman. Producer Mike Todd turned the project down, so Fields approached a new producing team, Richard Rodgers and Oscar Hammerstein II. After the success of their first musical collaboration, ''Oklahoma!'', Rodgers and Hammerstein had decided to become producers of both their own theatrical ventures and those by other authors.〔Bloom and Vlastnik, p.13〕 They agreed to produce the musical and asked Jerome Kern to compose the music; Fields would write the lyrics, and she and her brother Herbert would write the book.〔 Kern, who had been composing for movie musicals in Hollywood, returned to New York on November 2, 1945 to begin work on the score to ''Annie Get Your Gun'', but three days later, he collapsed on the street due to a cerebral hemorrhage.〔Nolan, pp.164-65〕 Kern was hospitalized, and he died on November 11, 1945.〔Kern, p. 165〕 The producers and Fields then asked Irving Berlin to write the musical's score; Fields agreed to step down as lyricist, knowing that Berlin preferred to write both music and lyrics to his songs.〔Kantor and Maslon, p.223〕 Berlin initially declined to write the score, worrying that he would be unable to write songs to fit specific scenes in "a situation show." 〔 Hammerstein persuaded him to study the script and try writing some songs based on it, and within days, Berlin returned with the songs "Doin' What Comes Naturally", "You Can't Get a Man With a Gun", and "There's No Business Like Show Business".〔Nolan, p.166〕 Berlin's songs suited the story and Ethel Merman's abilities, and he readily composed the rest of the score to ''Annie Get Your Gun''.〔〔Nolan, pp.166-67〕 The show's eventual hit song, "There's No Business Like Show Business," was almost left out of the show because Berlin mistakenly got the impression that Richard Rodgers did not like it.〔''The World of Musical Comedy:The Story of the American Musical'' (1984), Stanley Green, pp. 79-80, Da Capo Press, ISBN 0-306-80207-4〕 In imitation of the structure of ''Oklahoma!'' a secondary romance between two of the members of the Wild West Show was added to the musical during its development.〔Bloom and Vlastnik, p.14〕 For the 1999 revival, Peter Stone revised the libretto, eliminating what were considered insensitive references to American Indians, including the songs "Colonel Buffalo Bill" and "I'm An Indian Too".〔Brantley, Ben. "Everything the Traffic Will Allow". ''The New York Times'', March 4, 1999, p.E1〕 Stone said, "The big challenge is taking a book that was wonderfully crafted for its time and make it wonderfully crafted for our time... It was terribly insensitive...to Indians.... But it had to be dealt with in a way that was heartfelt and not obvious... In this case, it was with the permission of the heirs. They're terribly pleased with it."〔Simonson, Robert. ("Playbill On-Line's Brief Encounter with Peter Stone" ) Playbill.com, March 2, 1999〕 Stone also altered the structure of the musical, beginning it with "There's No Business Like Show Business" and presenting the musical as a "show within a show".〔
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